The band’s upcoming album, Pelzer Fuck Club, opens with the suggestive “Burn One Off”, hexing the energy of a high desert drag-strip before spilling into their previous offering, the junglelike “Golden Bears“.
The PFC album is slated for release August 30th.
“And that doesn’t stand for Private First Class” mumbles Skud Harris (producer), narrowly missing his coffee cup.
As Harris takes a slow slip from the steaming mug, his brow flexes a downward look of disgust.
“What did they filter this through, a sock?”
Watch & share the music video below, directed by Wjay & shot at Gypsy Farm’s infamous sound stage #666.
The Humms have previously released two albums on Gypsy Farm Records. 2010’s Lemonland, and 2020’s Vampire Hours.
Exciting news is dead ahead for several GF artists, including Uncle Goo, who recently began tracking new music for his yet to be titled record.
“Uncle Goo” is the stage name of Garrett Carpenter, who signed with Gypsy Farm in 2012.
We caught up with Mr. Goo as he was passing through the lobby & asked for a quick comment on the new material:
“[It’s] funky enough to make a freight train take a dirt road” he proclaimed.
Meanwhile across the facility in studio Z, tensions were heating up with The Humms as sessions for their follow up to Vampire Hours continue on, despite creative concern from outside sources.
“We’ve already lost two interns” said Skud Harris, acting manager for Humms’ camp.
“They’ll [intern] get a few songs in and inevitably, at some point, get offended or their feelings hurt” he confided.
“Then some sorry fool named CJ phoned the studio’s landline & threatened to ruin the lot of them on social media” laughed Harris.
“With any growth comes questions, criticisms, opinions…we’ve certainly received a fair share of each”
Skud continued: “As standard protocol, the receptionist on duty referred CJ to the number of a highly experienced mental healthcounselor & advised they seek attention there”
The Humms’ third album, Pelzer Fuck Club is slated for release next year.
Gypsy Farm’s label sector had a productive year, releasing 10+ new titles to an actively growing catalog, including Tape Feed, a compilation cassette of GF artists that helped serve over 1000 meals while GF’s other divisions continue a diverse venture into paranormal investigation, nature conservation, & EV charging technology.
The following list is an attempt to summarize the truly numerous records spun at GF HQ throughout the year. Each song is linked, in no particular order, & we highly suggest you visit, listen, & support if able.
Here’s looking for you, 2022.
Bob Dylan – Rough And Rowdy Ways This needs no introduction, just a minimum of one (1) ear to hear and all other necessary body parts. Select track: “MyOwn Version Of You”
J. Lansdowne – Self-TitledLP Former members of The Trashcans (ATL) & recorded on a Tascam 388. Select track: “Rope Trick”
Taken from their most recent album Vampire Hours, the Humms submit a change of weather with the strikingly somber tune, Forward Cue.
GF manager and confidant, W.JAY undertook the task of compiling over a decade’s worth of footage, packed into the song’s 3:23 window.
Of the notable clips included, viewers may recognize several blasts from the past including the band’s infamous practice trailer, where several early works were tracked, such as 2008’s Talking To A Ghost.
Every now & again, between cigarette breaks, after the show, the recording machine will be left unattended and running. Sometimes, we end up with what, more often than not, becomes some sort of cherished artifact for the GF archive.
Remembering one such time when the Shoal Creek Stranglers would pick & lick their way through Sinful Sunday Singings, a free show & supper combo hosted at various churches in the Georgia & South Carolina area.
It was an occasion when associates would track their own performance, at times unbeknownst to them.
We’re proud to present one such artifact, a tune that is all too relevant.
Performed on the spot by Reverend Douglas Brown, Death Ain’t No Big Deal.
Long-time correspondent and GF recording artist, Garett Hatch (Mother The Car, Nate & The Nightmares, Ancient Ethel) delighted us earlier this year with the sudden release of his first solo album, “Place Without a Name” conceived, written and recorded while under quarantine in Asheville.
(TOP) Garett Hatch. Photo 2020 by Maddie Kendrick.
“Hatch’s first official solo effort, titled “Place Without A Name” showcases a range of different styles and features the piano-wizardry of Mark Plemmons among several other musical guests. The album is set to be an enjoyable experience for the listener.” –Plez Jay
Then, Hatch surprised everyone with an immediate follow up, titled “Home” and it’s packed with supreme musical guests Annie Leeth, Casey Trivett and Stephen Britt, featuring artwork by Michelle Kaiser.
Garett Hatch’s “Home” is due out Oct 20th, stream and share the album via bandcamp:
In support of #saveourstages, current GFR recording artists Uncle Goo (with backing band, the Country Dragons) and The Humms will perform live today at 4pm on NetfreqTV via their twitch account.
The show, hosted by Matthew Suwalski, and produced by Atlanta, GA’s NetfreqTV, is called Freq Out and will feature new material from The Humms off of their forthcoming album, Vampire Hours (GF011) as well as their first ‘public’ performance since 2013.
Tune in today, starting at noon (E.S.T.) for the complete stream, beginning with “Studio Stories”.
Pre-orders are now up for Ancient Whales: Live at Adult Swim via the GFR bandcamp. Originally recorded at Adult Swim HQ in Atlanta, GA for broadcast in 2018, the band then consisted of Enoch (guitar) and Natalie (bass) both sharing vocal duties, backed by the dual drum-team of Scott (TS) Woodward and Bryan (BP) Poole, respectfully.
“Live at Adult Swim” drops on May 29th wherever good music is streamed!
Also sneaking out from the ether during this strange time is the first material in two years to be released from Clemson, SC’s cow-punk stewards, Pine Tar Rage. The song titled “Perfect Day” recalls the adventures of an individual from pre-sunrise and climaxes into all the fixings of the perfect day. Fans of PTR will immediately notice that the song is a somewhat departure in sound comparatively to their past recordings, but nothing unfamiliar to long time patrons of the band’s live set.
Singer songwriter, Ed Campbell trades in his usual high-gain mesa/boogie for a more reserved guitar-tone that is only complimented by Brant Duncan’s slippery-slide guitar leads, reminiscent of early Flaming Lips with Ronald Jones.
Both elements are meld together by the retro country-shuffle rhythm section of Jeff Barrett (bass, vocals) and Zeke Sayer (drums, vocals).
Meanwhile, back in March, we saw this interesting piece of sonic-syrup take forum within the laboratories of Gypsy Farm by a specimen known only as “RICHIE”.
The near six-minute raver is called “W.I.P” and was received with this press release:
“In 1973, the fabric of time was ripped open and from that gaping hole emerged a being that would be known only as ‘Richie’. He deserved no last name but in him the fire remained to make you move yo’ ass and make you smile and laugh. Richie didn’t have no Daddy, only Mama. She taught him superstitions and lived a life full of drama. But she sang and loved sincerely. She gave him music and he loved it dearly. The magic in the songs is all that’s kept him moving along. Up, down, sideways, bringing it honest and strong.”
We recommend this tune garnished with a sub-woofer or synced into your morning run.
Hotter than a double order of jalapeno hash browns, Garrett Carpenter (AKA Uncle Goo) has just unleashed a brand new tune titled “When I Die (Bury Me at the Waffle House)” – his second single from upcoming record, Cattywampus!!! – in stores everywhere October 15th via Gypsy Farm Records.
Carpenter says “When I die, don’t be sad. Though you want to, don’t cry. I’ll be gone but I’ll be here all the same. I don’t want no one to spend a lot of money to honor me. I don’t need no stone with my name. When I die, bury me down at the Waffle house”.
Waffle House C.E.O Walt Ehmer and upper management were unavailable for comment at press time however, top-ranking waitress “Miss Moselle” was quoted saying “Anyone that comes in here and mentions Uncle Goo’s new song will receive a bowl of Bert’s famous chili at full price”.
Uncle Goo’s new record “Cattywampus!!!” will be his second album to come out in less than one year, after January’s “Country Strange: Vol 1” saw Goo receive much deserved praise for his songwriting and a one-of-a-kind live performance at the oldest Strip Club in Georgia – The Clermont Lounge.
You can catch Uncle Goo & The Country Dragons live and in person one night only this October 25th at “Racks” (Formally Swamp Guinea) in Hartwell, GA.
Stream and share “When I Die (Bury Me at the Waffle House)” via bandcamp:
Content with identifying as perhaps the strangest-mistake currently signed to Gypsy Farm, the experimental-act known as “Bat And The Bears” celebrates it’s first official year of existence having released an EP [Wool Wearing Wolf] last July and being referred to as “Gothic-Karaoke”.
Following a live performance last Saturday night in Athens, GA the project released a new single called “Tight Fit” recorded at Gypsy Farm in the fall of 2017 before the label cut funding.
Watch and share the official music video for “Tight Fit” by Bat & The Bears :