Taken from their most recent album Vampire Hours, the Humms submit a change of weather with the strikingly somber tune, Forward Cue.
GF manager and confidant, W.JAY undertook the task of compiling over a decade’s worth of footage, packed into the song’s 3:23 window.
Of the notable clips included, viewers may recognize several blasts from the past including the band’s infamous practice trailer, where several early works were tracked, such as 2008’s Talking To A Ghost.
Every now & again, between cigarette breaks, after the show, the recording machine will be left unattended and running. Sometimes, we end up with what, more often than not, becomes some sort of cherished artifact for the GF archive.
Remembering one such time when the Shoal Creek Stranglers would pick & lick their way through Sinful Sunday Singings, a free show & supper combo hosted at various churches in the Georgia & South Carolina area.
It was an occasion when associates would track their own performance, at times unbeknownst to them.
We’re proud to present one such artifact, a tune that is all too relevant.
Performed on the spot by Reverend Douglas Brown, Death Ain’t No Big Deal.
After last year’s successful donation to the local food bank, we staffed our producer Willie Shears with the task of assembling years worth of various recordings from deep within the Gypsy Farm vault into a tangible compilation for your enjoyment but also, the benefit of Feeding America, a nonprofit organization networking with 200 food banks.
The result is Tape Feed, Vol: 1. Each limited edition cassette is a direct, real-time copy of the original hi-fee-fi-fo-fum master recordings and even include a digital download to boot.
With appearances by Old Smokey, Vincas, Nate & the Nightmares, the Humms, Sea of Dogs, Sweet Auburn String Band, 432 Sessions, Pine Tar Rage, Koko Beware & the Haunted Head.
Shears’ selection of GF recordings span a whole decade from 2010 through 2020, and all in all recorded at GF-HQ with the exception of Nate & The Nightmares – Everyday recorded live at Georgia theatre in 2014 while opening for Charles Bradley.
With exclusive tracks like Vincas – Phantasma (Live at Gypsy Farm) and the traditional bluegrass arrangements of 432 sessions – Buffalo Skinners (Jed & Harry Clark, Cory Walker & Jeff Partin) you can rest assured that it’s going to be an eclectic sum of tracks.
Enjoy Tape Feed, Vol 1 and simultaneously help deflect hunger, food waste & climate change by donating to the local food bank.
As we round out the first half of 2021, we see a new single release from the latest group signed to Gypsy Farm, known only as “Jockey Lot Boyz” (a reference to South Carolina’s largest flea market of the same name).
Though their press release failed to include any official member list or biography for that matter, our specialists have determined that at least four (4) different voices appear on the group’s debut track “I Remember When”.
Stream & share the Jockey Lot Boyz “I Remember When” via youtube and bandcamp.
Spanning throughout a period of almost five years, this collection is perhaps the most comprehensive selection of early-era Drover recordings ever made available.
Several bluegrass standards from Monroe, Carter & Tanner are all present as well as several outstanding originals by Drover’s front-man, Ed Campbell (AKA: Dr. Trundell, AKA: Grandpa) and these include “Autumn Time (In Caroline)”, “That Low Down Damp & Dusty Trail” & charming closer “The Mailbox Song”.
Following their last studio album (2004’s Dreamland) the group tragically lost the master tapes for another album and began to slowly fade back into the dimly lit corners of juke joints, creek beds, and cow pastures.
Then in 2017, a box containing nearly every episode of their long-cancelled radio show was unearthed.
These cherished recordings, captured by original bassist Rob Keller, document The Drovers in their youth and during an extremely creative time for the punk rock-turned-bluegrass band, hailing from Prater’s Creek, SC.
The Drovers took their name a few years prior to the Irish-rock band by the same name, the latter even opting to send Dr. Trundell and the gang a “cease & desist” letter thus prompting the original (and first) Drovers to address the situation by writing it into a 2-part skit feature episode of their show:
As time ticks on, for the better part of almost 40 years, the band continues to live up to their name, herding cattle and droving their way through trials, tribulations, Alzheimer’s and death.
The Drovers’ WCCP-AM collection is avaliable now on Gypsy Farm Records via youtube & bandcamp.
“The Drovers Old Time Medicine Show blows everything else away” – Creative Loafing
“They are to bluegrass what Neil Armstrong is to the moon” – Flagpole
“Speed bluegrass and church waltzes lovingly and brilliantly played” – MOJO
Coming into sight for the month of March, we see the return of Brant Duncan’s Carolina musical troop, known as The Haunted Head. Their latest production, a song titled “Come Home” surely encompasses everything you’ve come to know and appreciate about the band’s somber side.
Stream and share “Come Home” by the Haunted Head and support your favorite local artists, near and far this Friday (March 5th) by participating in this year’s second Bandcamp Friday.
Also seeing light today for the first time in over twenty years, is a collection of four-track recordings by Duncan’s former associates, Unabnormal, a 90s-era Clemson/Athens band fronted by Georgolina’s own concierge of portastudio saturation, Thom Strickland, who claims that the cassette tape was just recently re-discovered, under his bed.
The collection is called Diving Bell/Wishing Well, and along with a growing assortment of other titles, is out now, courtesy of Strickland’s “Brown Paper” record label, that isn’t.