Despite the valid plea of longtime acquaintances to just “leave the corpse buried”, the official announcement came via the Humms’ website after a lone image appeared, revealing the album cover of a forthcoming record, Vampire Hours.
This sophomore effort is the band’s follow up to 2010’s Lemonland which debuted on Bachelor records (Austria) with an additional release by Odd Box (U.K).
“Screaming for the life they once forgot, shadow boxing the vampire they’re afraid to admit they are.” — Jared Cobb, The Peacock Observer
Flagpole magazine premiered the official music video for the record’s first single, “Lady Low” and announced that pre-orders for the album on 12″ vinyl LP are now available here.
Watch and share the music video for “Lady Low” below! Directed by W.J.A.Y / A Parkertown Production.
Vampire Hours is out Sept 29th, with a special advance release for Record Store Day at select shops on Aug 29th, Sept 26th.
“It was so hot out there”, said Willie Shears [producer], echoing the perspiration of a group that had gathered in the studio on that scorching afternoon at Gypsy Farm.
“But you know” Shears continued, “it just wouldn’t have felt right, recording a song like This Heat in the comfort of air conditioning”.
Indeed, when This Heat debuted on radio last year, local country music disk jockey ‘Porkchop’ was quick to point out the atmosphere stating: “Creepy steel guitar & haunting vocals! I didn’t think it was possible to get chills because of a song about the heat.”
– Michael “Porkchop” Branch / WLHR 92.1
Uncle Goo / This Heat is available on Cattywampus!!! (2019 / Gypsy Farm Records)
In related news, long time GF veterans and psychedelic-folk-dream-team, otherwise known as “Old Smokey” (Jim Willingham), have reissued their first ep, Weeping Willow, and made it available for the first time online, thanks to John Fernandes’ Cloud Recordings label.
The ep was Gypsy Farm’s fifth release (GF005) having since gone out-of-print but is available now digitally, via bandcamp.
“Sounds as if it were originally featured on “The Wickerman” Soundtrack (1973), but some how, rather found itself reincarnated, falling through the laws of time and landing on your turntable, here in this strange modern world.” – WJAY review of Old Smokey 
Rounding out our scope of all things in GFR news, pre-orders are now live for the long awaited album by The Humms. The sophomore effort, titled Vampire Hours, marks the return of original founding drummer, John Bleech, among other special guest appearances and is due out September 29th with a special advance release for Record Store Day at select locations in Georgia, South Carolina, Maryland, Ohio and Kentucky.
“This new release from The Humms yanks the listener from the ghoulish psychedelia of ‘Lemonland’, thrusting them deep into a depraved and possessed saloon in 17th century Transylgeorgia, spinning through violent and resplendent waves of dusty, mescaline-dipped Mai Tais, screaming for the life they once forgot, shadow boxing the vampire they’re afraid to admit they are.”
— Jared Cobb, The Peacock Observer
Along with the announcement, came a weird video collage, seemingly composed of old footage from the GFR archives, accompanied by a soundscape, with a rhythm not unlike that of some defunct Maytag dryer.
The audio has yet to be confirmed as being any part of the album’s track list. [UPDATE: The song title is “Fangs”]
Pre-order The Humms Vampire Hours on 12″ vinyl and get a digital download of the record, including the first single “Lady Low”.
We are pleased to have been involved earlier this year with the solo release of guitarist and known slugger, J.R. Fisher and the release of his song Vacation.
Fisher, who plays guitar with Ohio hard knockers, Unchipped, is also head-barker over at local Columbus record label, We Used To Drink Together Records and was instrumental in working with GF way back in January on the task of producing this limited run cassette release of their self-titled debut album.
“Today I received a box of Unchipped cassettes. This tape is a totally different mix and master than what you have heard so far, mixed by Zac Szymusiak at Weird Music Studios, and mastered by Zeke Sayer at Gypsy Farm Records, including cover art by Naoya Kawakami, and photos taken by Skot Thompson and John Toohill.
– We Used To Drink Together Records via an official press release.
Earlier today, the cassette sector of Gypsy Farm released a statement claiming their machines are “fired up” and running momentarily to produce a “super short-run” follow up to 2018’s now out-of print compilation album, Rock and Raw.
The first volume was an even shorter-run tape release, only circulated privately among the bands involved and friends.
Rock and Raw: Vol. 2 is packed with past and current artists of the label roster and comes loaded with the newest single out from the Humms unreleased album, Vampire Hours.
Opening with Bat & The Bears – “Kromp”, an urgent breakbeat style of composition brushed with samples of old gospel choir recordings.
That segues delightfully into the raunchy sludge of distortion that is The Honey Sliders tune “Fucking And Fighting”. This mixtape is sure to liven up the cooler-conversation if played in the workplace.
Vol. 2 is currently unavailable on streaming platforms and may only be purchased via our GF HOTLINE (706-356-5638), email or messaging our social media profiles.
Side A: Kromp – Bat & The Bears Fucking and Fighting – The Honey Sliders Perfect Day – Pine Tar Rage W.I.P. – Richie
Side B: Natural – The Haunted Head Wagon Yard – Shoal Creek Stranglers The Leaking Man – Old Smokey I Hung Myself – Uncle Goo Merry Days – The Humms Recall – The Ice Creams
In other GF related news, we are excited to finally see the release of Ancient Whales: Live at Adult Swim this Friday (May 29th) where ever good music is streamed!
Pre-orders are now up for Ancient Whales: Live at Adult Swim via the GFR bandcamp. Originally recorded at Adult Swim HQ in Atlanta, GA for broadcast in 2018, the band then consisted of Enoch (guitar) and Natalie (bass) both sharing vocal duties, backed by the dual drum-team of Scott (TS) Woodward and Bryan (BP) Poole, respectfully.
“Live at Adult Swim” drops on May 29th wherever good music is streamed!
Also sneaking out from the ether during this strange time is the first material in two years to be released from Clemson, SC’s cow-punk stewards, Pine Tar Rage. The song titled “Perfect Day” recalls the adventures of an individual from pre-sunrise and climaxes into all the fixings of the perfect day. Fans of PTR will immediately notice that the song is a somewhat departure in sound comparatively to their past recordings, but nothing unfamiliar to long time patrons of the band’s live set.
Singer songwriter, Ed Campbell trades in his usual high-gain mesa/boogie for a more reserved guitar-tone that is only complimented by Brant Duncan’s slippery-slide guitar leads, reminiscent of early Flaming Lips with Ronald Jones.
Both elements are meld together by the retro country-shuffle rhythm section of Jeff Barrett (bass, vocals) and Zeke Sayer (drums, vocals).
Meanwhile, back in March, we saw this interesting piece of sonic-syrup take forum within the laboratories of Gypsy Farm by a specimen known only as “RICHIE”.
The near six-minute raver is called “W.I.P” and was received with this press release:
“In 1973, the fabric of time was ripped open and from that gaping hole emerged a being that would be known only as ‘Richie’. He deserved no last name but in him the fire remained to make you move yo’ ass and make you smile and laugh. Richie didn’t have no Daddy, only Mama. She taught him superstitions and lived a life full of drama. But she sang and loved sincerely. She gave him music and he loved it dearly. The magic in the songs is all that’s kept him moving along. Up, down, sideways, bringing it honest and strong.”
We recommend this tune garnished with a sub-woofer or synced into your morning run.
Bandcamp announced earlier this week that they would be waiving their usual fee on downloads and offering 100% of all income to artists that are struggling during this strange time.
“We know many artists and labels have been hit especially hard by the Covid-19 pandemic, very possibly including you. To support the Bandcamp community during this challenging time, we’re waiving our revenue share on all sales this Friday, March 20, from midnight to midnight PST, and rallying fans to put some money directly into your pocket.”
During a last minute meeting with all artists on the GF roster, it was decided as of now and throughout next week, Gypsy Farm will donate 100% of all online sales from Bandcamp to the Northeast Georgia Food Bank.
“For every $1 the Food Bank receives, we are able to distribute 4 meals.” a representative at NEGFB said. Additionally, we will be donating all sales that have already been collected this week prior to announcement, so if you’ve already been downloading from our bandcamp, thank you and we’ll donate that too!
NOTE: This event has been cancelled as of 03/13/20
The undisputed champion of country strange, Uncle Goo will return to Athens, GA on March 15th with his band, The Country Dragons (members of The Humms, Shoal Creek Stranglers) and play a special Sunday show at the World Famous bar for any and all patrons whom opt on staying in town during the SXSW season.
Goo will be joined by fellow psychedelic surfers, Outersea (members of Hot Fudge, Lydia Brambila) and gypsy garage rockers, Ancient Ethel – the latter of which just embarked on a 12-date southeastern tour of the US beginning tonight at Fleetwoods in Asheville, NC and rolling on through March 19th at Augusta’s beloved Soul Bar.
Catch them on the road at a dive near you and while you’re at it, pick up their GF recorded release at the show or via bandcamp.
Stream and share Outersea’s self titled record, released in 2019 and recorded at Gypsy Farm studio way back in 2016.
Long before country music became a fad of “designer-ripped jeans and cowboy hats”, the Shoal Creek Country Music Park offered folks of Northeastern Georgia and surrounding areas, a front-row glimpse at what would become some of the biggest country stars of all time.
It was indeed “the place to be” every Saturday night.
Founded in 1961 by Alton and Bertha Mae Walters, the music park hosted several wild times such as Johnny Cash rolling out “Folsom Prison Blues”, Dolly Parton shaving her legs on the creek bank (with Porter Wagoner’s razor), Conway Twitty performing to a crowd of 6,000 and Jerry Lee Lewis pushing a borrowed piano off of the stage.
Allegedly, Tammy Wynette left George Jones – for the final time, drunk on a tour bus at Shoal Creek.
Nate Combs is directly responsible for numerous Carolina bands such as Kill Geddy Lee, F.N.C.F and Mosquito Rodeo. Combs is also in charge of day-to-day operations at the infamous Guttersville Records and is rumored to be related to the Wizards of Dawn.
Ed Campbell (Episode 42 of the Ratio Podcast) is perhaps best known throughout the Southern region for fronting a high octane bluegrass group ‘The Drovers Old Time Medicine Show‘ which just celebrated over 30 years together. Speaking from his porch with cigar in hand Campbell reiterates that he’s “a rocker at heart” and has been looking forward to what will be his first solo show in 32 years.
Ancient Ethel has consistently kept a steady string of performances and along with debuting an EP last year, they’re proud to announce the recent adoption of a “Baby Blue” van into the flock and just in time for their upcoming tour.
We finally reached Uncle Goo for comment. He says “Me and the boys are gonna get down in the upstate, up in the downstate and every which way in between” and then adds “Also, doing it for Seneca.” Whether Goo is referencing the town or the great Roman philosopher “Seneca” remains unclear.
Fronted by James Fisher who first hit our radar on solo tours throughout the United States performing with acts such as “Hookers Made Out Of Cocaine”, metal band “Unchipped”, Fisher also co-founded the label We Used To Drink Together Records.
“Vacation” is a selection (featuring Country Death on piano) plucked from the bunch that showcases J.R.’s ever manic songwriting style as he belts:
“There’s blood on the porch but I don’t know whose. There’s blood on my shoes but I can’t remember where I was coming from when I came home last night”