End Thoughts & 13 Songs To Offend An Xmas Party

Exciting news is dead ahead for several GF artists, including Uncle Goo, who recently began tracking new music for his yet to be titled record.

“Uncle Goo” is the stage name of Garrett Carpenter, who signed with Gypsy Farm in 2012.

We caught up with Mr. Goo as he was passing through the lobby & asked for a quick comment on the new material:

“[It’s] funky enough to make a freight train take a dirt road” he proclaimed.

Meanwhile across the facility in studio Z, tensions were heating up with The Humms as sessions for their follow up to Vampire Hours continue on, despite creative concern from outside sources.

“We’ve already lost two interns” said Skud Harris, acting manager for Humms’ camp.

“They’ll [intern] get a few songs in and inevitably, at some point, get offended or their feelings hurt” he confided.

“Then some sorry fool named CJ phoned the studio’s landline & threatened to ruin the lot of them on social media” laughed Harris.

“With any growth comes questions, criticisms, opinions…we’ve certainly received a fair share of each”

Skud continued: “As standard protocol, the receptionist on duty referred CJ to the number of a highly experienced mental health counselor & advised they seek attention there”

The Humms’ third album, Pelzer Fuck Club is slated for release next year.

Gypsy Farm’s label sector had a productive year, releasing 10+ new titles to an actively growing catalog, including Tape Feed, a compilation cassette of GF artists that helped serve over 1000 meals while GF’s other divisions continue a diverse venture into paranormal investigation, nature conservation, & EV charging technology.

The following list is an attempt to summarize the truly numerous records spun at GF HQ throughout the year. Each song is linked, in no particular order, & we highly suggest you visit, listen, & support if able.  

Here’s looking for you, 2022.

Bob DylanRough And Rowdy Ways
This needs no introduction, just a minimum of one (1) ear to hear and all other necessary body parts. Select track: “My Own Version Of You”

J. LansdowneSelf-Titled LP
Former members of The Trashcans (ATL) & recorded on a Tascam 388. Select track: “Rope Trick”

Şahin Gültekin feat. DönüşümYumurtanın Kulpu Yok
Excellent EP of traditional folk songs with an ace backing band. Select track: “Çil Horoz”

Ven PerpThe Kitchen Sink
Greenville, SC artist Ven Perp offers this instrumental collection. Select track: “Streetlight is Out”

Rabies Scythe Fight Untitled disc 2021
Recorded at home by Josh Harper, RSF has a sound like no other. Select track: “October Dreaming”

Nicholas MallisArtificial Irrelevance
Throw it on & dance around while you burn supper on the stove. Select track: “Caveman”

Jay GonzalezBack To The Hive
Excellent songwriting and backing accompaniment for this solo effort by JG of the DBT. Select track: “I Want To Hold You”

Mr. HusbandSufjan, You Took Too Long So I Went Ahead & Made West Virginia
You may laugh, you may cry. You will smile. Select track: “Meemaw”

Vincas – Phantasma
This record showed up covered in blood. Select track: “The Witch”

Dusk – Generation Loss
An old Hartwell, Ga band that no one seems to remember anything about but has been recording since at least the late 90’s. Select track: “Plastic”

Moloq – Empire/Driving
A wonderful pair of tunes for sitting in Atlanta traffic. Select track: “Driving”

Jan TerriAve Maria
Jan Terri’s take on this classic with a rather entertaining music video.

Holiday Songs In B FlatHoly Crap Records compilation
Just when you think you’ve been too bad this year, Santa stuffs this down your stocking. Select track: “Holiday Inn”

Everyone at GF and beyond appreciate your continued support and wish you a happy & safe new year.

musiciansforoverdoseprevention.org

T.S. WOODWARD to preview “How To Breathe Underwater” Album at UGA / April 1st

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The first day of April has long been remembered as “All Fools’ Day” for many reasons.  However, exempt from that list of foolery is one T.S. Woodward, whom you may have spotted traveling around the classic city; mid-way through his tango-of-death with 88 keys.  Woodward made an “official” debut in 2013 with the release of Dominar’s “BLUE RIBBON” music video.  Since then, he has been hard at work on an album of recordings that will ultimately be submitted as his senior thesis in Popular Music Composition, a degree that Woodward designed himself.   The finished album is titled “How to Breathe Underwater” and it will premiere on April 1st @ exactly 5PM for one showing only in The Dancz Center for New Music on the 2nd floor of UGA’s Hugh Hodgson School of Music.

To better explain the situation, we requested a statement and the following descended upon the field at Gypsy Farm late last week, attached to a fast-dwindling balloon, it read :

“A few years ago I created my own major at UGA; I did this by outlining a unique path of study which was specific to my interests and incorporated upper level coursework from the departments of Music Composition, Creative Writing, and Music Business. Additionally, I proposed a senior thesis project which would require me to write, record, and produce a full length “album” of original material, the graded submission of which (alongside an academic paper) would ultimately determine whether or not I graduate. This major is called Popular Music Composition, and on Wednesday, April 1st, at exactly 5PM within the grand hall of The Dancz Center for New Music, the question of my graduation will finally be answered as I present my completed thesis, How to Breathe Underwater, in front of a live studio audience and my 3 esteemed committee members, Dr. Valdez, Dr. Pavlic, and Mr. David Barbe.

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The first half of this recital will consist of the world premiere of my thesis, How to Breathe Underwater, in the form of a stereophonic playback of the 28 minute album in its entirety from start to finish and without pause. This is not an “album release” but rather an exclusive public screening of the album before the inevitable waiting period to get it pressed and distributed to record stores. It is worth noting that The Dancz Center for New Music, aka The Black Box, is the same state-of-the-art performance hall in which the majority of this work was recorded and mixed and is therefore the ideal place in which to listen to it.

The second half of this recital will consist of a live performance of B-sides and other material written by T.S. Woodward, performed by himself at the piano and with the help of his friends, The Phantasmagoric Chamber Orchestra, whose makeup is as follows:

Zeke Sayer – Drumset
Matthew Garrison – Upright Bass
Nicholas Mallis – Electric Guitar
Dave Kirslis – Acoustic Guitar
Jeff Webber – Synthesizer
Ember Remliel – Backup vocals

This performance will be recorded and archived by the hardworking composition staff at UGA, as well as by my talented friends and colleagues Mr. Neal Warner & Alex Kroh.

TS piano

I would like to note that none of this is or would be possible without the graciousness and support of those closest to me both inside and out of The University of Georgia. And so…

It is with the utmost pleasure and excitement that I invite you to please join me for this one of a kind performance of a work that is representative of years of study and labor… whose surreal nature has been at once borne out of and painstakingly constructed atop the ruins of my dreams and nightmares… and which was conceived during the quiet, borrowed hours between midnight and dawn within the hallowed halls of The Hugh Hodgson School of Music.”

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Please visit the official event page by clicking the above flier or RSVP here

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