The band’s upcoming album, Pelzer Fuck Club, opens with the suggestive “Burn One Off”, hexing the energy of a high desert drag-strip before spilling into their previous offering, the junglelike “Golden Bears“.
The PFC album is slated for release August 30th.
“And that doesn’t stand for Private First Class” mumbles Skud Harris (producer), narrowly missing his coffee cup.
As Harris takes a slow slip from the steaming mug, his brow flexes a downward look of disgust.
“What did they filter this through, a sock?”
Watch & share the music video below, directed by Wjay & shot at Gypsy Farm’s infamous sound stage #666.
The Humms have previously released two albums on Gypsy Farm Records. 2010’s Lemonland, and 2020’s Vampire Hours.
Taken from their most recent album Vampire Hours, the Humms submit a change of weather with the strikingly somber tune, Forward Cue.
GF manager and confidant, W.JAY undertook the task of compiling over a decade’s worth of footage, packed into the song’s 3:23 window.
Of the notable clips included, viewers may recognize several blasts from the past including the band’s infamous practice trailer, where several early works were tracked, such as 2008’s Talking To A Ghost.
Psych-trippers and all-around-down to hang out in your garage, The Humms have just released a brand-new video for their song titled Blue Bite and let me be the first to say that I’m not sure what to make of the song, much less the video.
The tune comes from their Vampire Hours album, released on vinyl by Gypsy Farm last fall and the “M.A.S.H. on acid” type atmosphere within this accompanying video is reminiscent of my long lost youth, attempting to fine-tune our television antenna that stretched up beyond the heavens.
The headache induced by this music video is not unlike that old picture on our beloved Zenith set.
But alas, this video showcases the band’s ever-widening, multi-genre court of noise, to be polite. It was produced by Gypsy Farm subsidiary, KLEM productions.
NPR’s John Slights says “It’s not everyday an album containing psychedelic folk, sludge rock, and 60’s style surf rock inspired tunes comes along, but ‘Vampire Hours’ is exactly that. In many ways, it’s a throwback album that still manages to look to the future.” – (Athens News Matters)
Watch and share The Humms – Blue Bite music video on YouTube.
Long-time correspondent and GF recording artist, Garett Hatch (Mother The Car, Nate & The Nightmares, Ancient Ethel) delighted us earlier this year with the sudden release of his first solo album, “Place Without a Name” conceived, written and recorded while under quarantine in Asheville.
(TOP) Garett Hatch. Photo 2020 by Maddie Kendrick.
“Hatch’s first official solo effort, titled “Place Without A Name” showcases a range of different styles and features the piano-wizardry of Mark Plemmons among several other musical guests. The album is set to be an enjoyable experience for the listener.” –Plez Jay
Then, Hatch surprised everyone with an immediate follow up, titled “Home” and it’s packed with supreme musical guests Annie Leeth, Casey Trivett and Stephen Britt, featuring artwork by Michelle Kaiser.
Garett Hatch’s “Home” is due out Oct 20th, stream and share the album via bandcamp:
In support of #saveourstages, current GFR recording artists Uncle Goo (with backing band, the Country Dragons) and The Humms will perform live today at 4pm on NetfreqTV via their twitch account.
The show, hosted by Matthew Suwalski, and produced by Atlanta, GA’s NetfreqTV, is called Freq Out and will feature new material from The Humms off of their forthcoming album, Vampire Hours (GF011) as well as their first ‘public’ performance since 2013.
Tune in today, starting at noon (E.S.T.) for the complete stream, beginning with “Studio Stories”.
After releasing his debut solo effort in January, senior GFR member Matthew Caleb Garrison (Marble Soup) embarked on a European tour as the bassist for Elf Power and upon his return to the states has now issued a brand new single titled “Kerosene”.
Venturing from previous Marble Soup releases, this zero-gravity tune boasts an intergalactic vibe brought on by Garrison’s keying of the Rhodes piano met with solid backing courtesy of drummer Cody Martin, complimented with the masterful guitar work of Jake Stargel, finally baked in a dash of star-dust provided by Zeke Sayer on vocoder.
Stream and share “Kerosene” by Marble Soup below :
Using the alias “Marble Soup” local Georgia native Matthew Garrison released his self-titled debut EP last month as download, stream and limited edition compact disc. The EP marks the first new physical release on the Gypsy Farm label since 2014 and is the result of several recording sessions spaced between Lula and Lavonia, Georgia dating back to 2015.
Engineered by Jake Stargel, the takes were then mixed at Gypsy Farm Studio before final mastering at Chase Park Transduction. After touring the U.S. twice in 2017 with Elf Power, Garrison enlisted the help of Larry Choskey (of Nate and the Nightmares) for art direction and cover design, then set the EP release date for Jan 2018 and it has met with positive reviews since it’s release :
“Clocking in with a mere four songs, this little record does a fine job of exhibiting Garrison’s songwriting, which harkens back to NRBQ, a little Randy Newman and perhaps a slight amount of Gram Parsons to boot” – Gordon Lamb – “Threats and Promises” – Flagpole Magazine
“With it’s ominous beat, Marble Soup’s ‘Janet Lorraine’ solicits the listener immediately to a soundscape where time stands before inevitably running out” – WJAY – GF Press Editor